VoCA | Voices in Contemporary Art • 29th January 2024

Blog: Part II: "Who Cares?" An Interview with Hungarian Artist Andrea Fajgerné

VoCA | Voices in Contemporary Art • 12th January 2024

Blog: Part I: "Who Cares?" An Interview with Hungarian Artist Andrea Fajgerné

Selvedge Magazine • 15th October 2023

Exhibition Review: Gio Swaby: Fresh Up at the Peabody Essex Museum

Taylor & Francis • 31st August 2023

Book Review: A Theory of Assembly: from Museums to Memes

Selvedge Magazine • 11th January 2023

Exhibition Review: Queer Maximalism x Machine Dazzle

InLiquid • 29th April 2022

Exhibition Essay: What Are We Claiming?

Curating Access: Disability Art Activism and Creative Accommodation • 22nd September 2022

Book Chapter: "Considering Amanda Coogan’s Performance Art as an Accessible Practice"

Burnaway • 22nd September 2021

Exhibition Review: Namsa Leuba: Crossed Looks at the Halsey Institute of Contemporary Art

Papers on Language and Literature • 1st January 2021

Book Review: Absence in Cinema: The Art of Showing Nothing

Papers on Language and Literature, Vol. 57, Iss. 1 (Winter 2021): 111-114, 116.

Public Art Dialogue • 5th November 2020

Book Review: Walls of Change The Story of the Wynwood Walls

Public Art Dialogue 11, no. 1

Women's Caucus for Art's Artlines • 1st June 2017

Book Review: Girl on Girl: Art & Photography in the Age of the Female Gaze

Artlines (Summer 2017): 5-6

© MCA Chicago; photograph by Nathan Keay

Afterimage: the Journal of Media Arts and Cultural Criticism • 1st January 2017

Exhibition Review: Basim Magdy - the Stars Were Aligned for a Century of New Beginnings at the MCA Chicago

Afterimage: the Journal of Media Arts and Cultural Criticism 44, no. 5 (2017): 24

African Arts • 1st January 2017

Exhibition Review: Kemang Wa Lehulere - In All My Wildest Dreams at the Art Institute of Chicago

African Arts 50, no. 4 (Winter 2017): 78-80

Issuu • 1st March 2011

Article: Classes Amid the Ruins

Athens Insider Magazine: 92 (March 2011): 44-45